Kpop

by Nick on March 17, 2026 at 1:46 pm

K-pop is littered with acts who – for one reason or another – didn’t get the full spotlight they deserved. I’ve spent plenty of time ranking and reviewed the industry’s biggest artists, but these underrated acts should never be forgotten. This feature will take a look at disbanded groups and rank/rate their entire singles run, … Continue reading → […]

by Nick on March 16, 2026 at 2:36 pm

The co-ed ChoCo1 x ChoCo2 debuted earlier this year with a bit of online controversy that felt manufactured to spawn discussion. The actual music was quite dire, reheating sounds popularized by ALLDAY PROJECT last year. Now, they’re back promoting b-side Frenzy. This one’s more palatable than its predecessor but still struggles to justify the group’s … Continue reading → […]

by Nick on March 16, 2026 at 2:29 pm

AB6IX are back today with their third full-length album. This comes during the year of their contract renewal. It will be interesting to see what they decide to do. After a strong commercial start, the group has occupied a mid-to-low tier space that sees them consistently releasing music but rarely making any waves. New single … Continue reading → […]

by Nick on March 16, 2026 at 2:24 pm

Since debut, ALL(H)OURS have stuck to a bombastic sound, fusing huge beats to catchy chants. This formula has often thrown melody to the curb in favor of other aspects, and that’s been the one missing piece that has prevented me from becoming absolutely obsessed with their singles. I wish I could sit their producers down … Continue reading → […]

by Nick on March 15, 2026 at 1:57 pm

At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading → […]

by Nick on March 15, 2026 at 1:54 pm

In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading → […]

by Nick on March 14, 2026 at 2:06 pm

Seventeen’s Hoshi may be away from the industry serving his mandatory military enlistment, but that doesn’t stop music from being released. New single Baby, Honey (아기자기) surprise drops on a Saturday, which is quite unusual for K-pop. Maybe more plugged-in Hoshi fans than I can explain if there’s specific significance to the date March 14th. … Continue reading → […]

by Nick on March 13, 2026 at 2:10 pm

A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There are some idols that you … Continue reading → […]

by Nick on March 12, 2026 at 2:18 pm

Thus far in their career, Odd Youth have favored chirpy sing-talk and zealous chants. Needless to say, this isn’t a combination that tends to appeal to me, but they’re now over a year into promotions and it’s time to move things in a slightly more streamlined direction. Babyface does just that, maintaining their youthful energy … Continue reading → […]

by Nick on March 12, 2026 at 2:17 pm

Modern K-pop has dramatically switched its lyrical focus from external storytelling, centered on the “you” or “they”, to boastful screeds that fully revolve around the “I”. “I’m so badass.” “I’m cooler than anyone else.” “I’m UNIQUE.” This bleeds into the music itself, which is often more combative and hits like a structural punch instead of … Continue reading → […]