Kpop

by Nick on January 17, 2026 at 3:12 pm

The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading → […]

by Nick on January 16, 2026 at 3:01 pm

A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. During the late-00s/early-10s, there was a … Continue reading → […]

by Nick on January 16, 2026 at 5:24 am

Musical trends come and go in K-pop and usually mirror sounds popularized elsewhere on the globe. Most of these trends start out well enough before the industry eventually drives them into the ground, but a certain trend of the moment has my hackles up already. An increasing amount of boy groups are latching onto a … Continue reading → […]

by Nick on January 15, 2026 at 3:25 pm

Misamo is Twice’s first sub-unit, active for almost three years now. I last wrote about them in November of 2024 and now they’re kicking off 2026 with new single Confetti and upcoming album PLAY. As their music has developed, it’s taken on more of an old-school approach. Confetti pull us all the way back to … Continue reading → […]

by Nick on January 15, 2026 at 3:07 pm

Somebody’s gotta work on these K-pop names. When I scan ChRocktikal’s band name, my mind wants to see “crocodile” or “cockatiel” and then gets confused and angry when the letters don’t line up the way they should. Regardless, this band has been highly anticipated by fans of Dreamcatcher, whose Siyeon fronts them as vocalist. Post-Dreamcatcher … Continue reading → […]

by Nick on January 14, 2026 at 3:28 pm

Male idol solo tracks tend to fit within a few distinct realms these days. Either they opt for a slinky funk track (usually served with a huge side of Justin Timberlake’s Like I Love You), stark piano ballad or light rocker. These archetypes have become so hardened that it’s difficult to pull much enjoyment from … Continue reading → […]

by Nick on January 14, 2026 at 3:23 pm

ONEWE are getting into the pre-release game with Ferris Wheel (관람차), which is a taste of their upcoming demo album. The word “demo” feels more like branding than reality here, as I’m not sure songs can still be considered demos after they’ve been promoted with music videos and performed on shows. But regardless of vernacular, … Continue reading → […]

by Nick on January 14, 2026 at 3:18 pm

There have been an increasing number of Japanese groups formed by Korean agencies who end up promoting in Korea much more often than their home country. With this in mind, NCT Wish have split their efforts pretty well between the two countries, building a large fan base in the process. Apart from a song here … Continue reading → […]

by Nick on January 13, 2026 at 3:18 pm

n.SSign’s sole 2025 single Itty Bitty was a sneaky little earworm, slowly rising to become one of my favorite songs of last spring. The guys don’t promote nearly enough for a group of their stature. They still feel like rookies, despite debuting in 2023. New single Funky Like Me was first premiered last month at … Continue reading → […]

by Nick on January 13, 2026 at 3:12 pm

LNGSHOT is the first idol group to launch from Jay Park’s MORE VISION record label. They made a pre-debut last month in the midst of all of my year-end countdowns, so I wasn’t able to write about that song. However, they’ve made their full debut today and I’m ready to dive in. I grew up … Continue reading → […]