The Bias List // K-Pop Reviews & Discussion K-Pop reviews and discussion with just a hint of bias...
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RESCENE: A Career In Song Ratings
by Nick on August 10, 2026 at 2:50 pm
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]
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Song Review: WayV – Vision Wings
by Nick on August 10, 2026 at 2:40 pm
When last we heard from WayV, they marked the winter season with a 90s hip-hop track. Hip-hop has become a bigger part of their ouevre in general, taking a more streamlined approach than the hulking vocal drama and theatrical arrangements of years past. New single Vision Wings (鸢) continues this overall trend but adds traditional … Continue reading → […]
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Song Review: KiiiKiii – Pop Off Pop Off
by Nick on August 10, 2026 at 2:39 pm
KiiiKiii blew up big time this January with their hit 404 (New Era), quickly establishing their place at the forefront of this generation’s girl groups. They’ve also become one of the architypes of K-pop’s current dance trend, blending hyperpop with early-2010s EDM. Personally, the first word that comes to mind when I think of them … Continue reading → […]
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2PM: A Career In Song Ratings
by Nick on August 9, 2026 at 1:50 pm
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]
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THIS WEEK IN K-POP: Ranking the New Releases from August 2 – 8
by Nick on August 9, 2026 at 1:47 pm
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading → […]
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New & Noteworthy J-pop of the Week (August 9, 2026)
by Nick on August 9, 2026 at 1:43 pm
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading → […]
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KISS OF LIFE: A Career In Song Ratings
by Nick on August 8, 2026 at 1:51 pm
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]
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Song Review: TUIDE – GRLS
by Nick on August 7, 2026 at 2:37 pm
HYBE is preparing to dominate the conversation once more with the upcoming debut of TUIDE, the first group under their newly established ABD label meant to cater exclusively to girl groups. The optimist in me continues to hope that a new group means a new sound and concept, but judging by pre-release track GRLS the … Continue reading → […]
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ROMEO: A Career In Song Ratings
by Nick on August 7, 2026 at 2:09 pm
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]
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Song Review: WAYF BOYS – WAYF BOYS DO
by Nick on August 7, 2026 at 1:59 pm
Just like NewJeans’ soft, lightly experimental sound went on to influence years of girl group releases in their wake, I fear we’re about to see the same with Cortis’s success. Hopefully, this will be more REDRED than Acai, but either way I’m worried this means even less melody/theatricality/singing and shorter songs for K-pop in the … Continue reading → […]
