Kpop

The Bias List // K-Pop Reviews & Discussion K-Pop reviews and discussion with just a hint of bias...

  • Song Review: Omega X – Uncapped
    by Nick on June 18, 2026 at 3:15 pm

    It’s a day of long-awaited reunions in K-pop. Omega X may not have quite the legacy of Secret, but they’ve been out of the picture long enough to make Uncapped feel like a true comeback. This track brings together only seven of the group’s ten original members but successfully replicates their core sound. Uncapped is … Continue reading → […]

  • DKB: A Career In Song Ratings
    by Nick on June 18, 2026 at 2:10 pm

    There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]

  • Song Review: Secret – Ice Cream
    by Nick on June 18, 2026 at 2:07 pm

    Secret are one of those second-gen groups whose output completely pre-dates this blog. Over the years, I’ve reviewed exactly one of their songs through a retrospective feature, and to be honest their discography has never done much for me. Today, two of the group’s members (Hyosung and Jung Hana) have reunited alongside new member Yebin … Continue reading → […]

  • DAL SHABET: A Career In Song Ratings
    by Nick on June 17, 2026 at 2:05 pm

    There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]

  • Song Review: USPEER – Wicked Game
    by Nick on June 17, 2026 at 1:54 pm

    USPEER debuted seventy-eight years ago and remained one of K-pop’s most confounding one-hit wonders. Okay… that might be a slight exaggeration. They actually debuted one year ago before dropping off the face of the earth as WM Entertainment underwent a major re-shuffling. The group now finds themselves under MW Entertainment (ran by former WM CEO … Continue reading → […]

  • Song Review: ONF – Open The Door
    by Nick on June 17, 2026 at 1:52 pm

    Consistent artist/producer pairings are not nearly as common as they used to be in K-pop, but fans are so used to see ONF and composer Hwang Hyun work together that there was mass outrage when last November’s mini album didn’t feature him at all. But now that the group has moved to a new agency, … Continue reading → […]

  • TVXQ (O5): A Career In Song Ratings
    by Nick on June 16, 2026 at 2:09 pm

    There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]

  • Song Review: STAYC – 2 L0VE
    by Nick on June 16, 2026 at 1:58 pm

    The official start of summer may still be a few days away, but we’ve already entered the summer season of K-pop music. At its best, this means bright, buoyant fare that conjures images of beach days and sunny nights. My number one wish is that this summer somehow brings back the K-pop producers synonymous with … Continue reading → […]

  • KARA: A Career In Song Ratings
    by Nick on June 15, 2026 at 2:05 pm

    There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading → […]

  • Song Review: RIIZE – Do Your Dance
    by Nick on June 15, 2026 at 1:59 pm

    As with too many of their new-gen peers’ discographies, it’s hard to predict how a new RIIZE single might sound. In the past, there have been K-pop groups I knew I could count on to deliver the goods each and every time, and this was usually because they worked with a tight team of producers … Continue reading → […]

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